Copper compression sleeves for arms8/10/2023 Example: On a $100 (pre-tax) purchase with a 20X bonus multiplier a Member would earn a bonus $8 in CT Money (20 X. Any bonus multiplier is based on the base rate of collecting CT Money (0.4%), and will be added to whatever the Member would otherwise collect, without the bonus. You cannot collect paper Canadian Tire Money on bonus offers. To collect bonus CT Money you must present a Triangle Rewards card/key fob, or use any approved Cardless method, at time of purchase or pay with a Triangle credit card. Rewards are in the form of electronic Canadian Tire Money® (CT Money®). Triangle™ Mastercard®, Triangle™ World Mastercard® and Triangle™ World Elite Mastercard® are issued by Canadian Tire Bank. †The Triangle Rewards Program is owned and operated by Canadian Tire Corporation, Limited. ‡Was price reflects the last national regular price this product was sold for. Selection and availability may vary by location. 172.**Online prices and sale effective dates may differ from those in-store and may vary by region. New York: The Metropolitan Museum of Art, 2017. "Of Arms and Men: Arms and Armor at the Metropolitan, 1912–2012." The Metropolitan Museum of Art Bulletin (Summer 2012), pp. New York: The Metropolitan Museum of Art, 2005. "A Neapolitan Patron of Armor and Tapestry Identified." Metropolitan Museum Journal (1993), p. 26 (a similar helmet, as part of a composed armor). Museo Poldi Pezzoli: Armeria I, edited by Carlo Pirovano. "Ipotesi per un Museo nel Palazzo del Podestà tra il 1858 e il 1865." Studi e Ricerche di Collezionismo e Museografia Firenze 1820–1920 (1985), pp. Barocchi, Paola, and Giovanna Gaeta Bertalà. New York: The Metropolitan Museum of Art, 1984. Man and the Horse: An Illustrated History of Equestrian Apparel. The Art of Chivalry: European Arms and Armor from the Metropolitan Museum of Art: An Exhibition. Pyhrr, Leonid Tarassuk, and American Federation of Arts. The Metropolitan Museum of Art, Helmut Nickel, Stuart W. Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis. Indianapolis: Indianapolis Museum of Art, 1970. Treasures from the Metropolitan: Catalogue of the Inaugural Exhibition of the Indianapolis Museum of Art, October 25, 1970–January 3, 1971, edited by Carl J. "Two Horse Panoplies in the Armor Galleries." The Metropolitan Museum of Art Bulletin (September 1922), pp. Livret-Guide du Visiteur à l'Exposition Historique du Trocadéro, edited by E. "Man And The Horse," December 3, 1984–September 1, 1985.īréban, Philibert. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," April 4–June 17, 1984, no. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," November 5, 1983–January 28, 1984, no. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," May 24–July 31, 1983, no. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," November 13, 1982–February 5, 1983, no. Witte Museum of the San Antonio Museum Association. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," July 18–October 10, 1982, no. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," March 11, 1982–June 6, 1982, no. "Treasures from the Metropolitan," October 25, 1970–January 3, 1971, no. "Exposition Universelle de 1878: L'Exposition Historique du Trocadéro," May 1–October 31, 1878. The high quality of the horse armor and its elaborate decoration indicate that it must have belonged to a leading member of the Collalto family, perhaps Collatino Collalto (1523–1569), who was famous both as a soldier and as a man of letters. These were standard decorative motifs on Italian armor of the period, but here, they are depicted with much more precision, on a larger scale, and in far greater detail and variety than usual. The bands of etched ornament include classically inspired trophies of arms and armor and musical instruments. It comes from the armory of the counts Collalto at the castle of San Salvatore, near Treviso, where it was presumably kept from the late sixteenth until the early twentieth century. 21.139.2), dating from about 1560, is one of the few complete examples of its period to be preserved. The associated horse armor also in the Metropolitan Museum's collection (acc. The man's armor, dating from about 1575, is part of a small garniture that included exchange elements for the battlefield and reinforcing pieces for the tournament.
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